Nation, Gender and History: Asian Cinemas in Perspective
Vilnius University, Centre of Oriental Studies
7-9 September 2017
Thursaday, 7th September 2017
09:00 Registration (Aula Parva)
10:00 – 10:30 Opening (Aula Parva)
10:30 – 11:45 Keynote address (Aula Parva)
Professor Ira Bhaskar (Jawaharlal Nehru University, New Delhi): Traumatic Histories, Tortured Memories, the Fractured Social Body: The Partition and its Cinematic Legacies for the Subcontinent.
12:00 – 13:00 Excursion at Vilnius University (optional). Meeting at the Main Courtyard.
13:00 – 14:30 Lunch
14:30 – 16:00 Panel session 1
Panel 1 (Kovalevski Room): Gender and nationalism
Fabio Belafatti (Vilnius University, LT): Gendered Nationalism, Neo-Nomadism, and Ethnic-Based Exclusivity in Kyrgyz, Kazakh and Uzbek Nationalist Discourses.
Sebastian Klausner (Johannes Kepler University Linz, AT): Dis-/Enabling Japanese Nationalism in the late 2000s. Gendering and Allegorizing Amputees’ War Narratives in Kōno Fumiyo’s Kono Sekai no Katasumi ni (2007-2009) and Wakamatsu Kōji’s Kyatapirā (2010).
Irene González-López (Kingston University, UK): Gender, Sex and Power: Re-imagining Occupation in Japanese Cinema.
16:00 – 16:30 Coffee break
16:30 – 18:00 Panel session 2
Panel 2 (Kovalevski Room): Gender and exploitation
Wafa Ghermani (University of Paris III – La Sorbonne Nouvelle, FR): Revengeful women: the Taiwan Black cinema of the beginning of the 1980s.
Aliosha Herrera Elias (University of Paris III – La Sorbonne Nouvelle, FR): The erotic stars of Thai popular cinema: censorship, subversion, archetypes.
Tatiana Szurlej (Manipal University, IN): The Nagin – a goddess, a monstrous feminine or a mere sexual object. Snake films and their heroines.
18:30 Reception (University Cafe)
Friday, 8th September 2017
09:00 – 11:00 Panel sessions 3 and 4
Panel 3 (Kovalevski Room): Dance and Music in Indian cinema
Kristina Dolinina (Vilnius University, LT): The “new” tale of a dancing courtesan in Hindi cinema: the mirror of a changing society?
Dhruv Rupapara (University of East London, UK): Kathak dance: from stage to screen.
Anugyan Nag (Jamia Millia Islamia University, IN): The transnational and global identities of Bollywood through dance.
Ivanka Vlaeva (South-West University “Neofit Rilski”, BUL): Interpretation of rituals and music: movie models in India.
Panel 4 (Binderis Room): War, trauma and history
Mara Matta (Sapienza Università di Roma, IT): Sleeping with the enemy or In the mood for love? War, Friendship, Love and Intimacy in Two Films from Sri Lanka and Bangladesh
Clelia Clini (The American University of Rome, IT): “This War Has Ruined Everything”: Partition and National Identity in Rahat Kazmi’s Mantostaan (2016)
René Sharanya Verma (University of Oxford, UK): Emergency and Emergences: Interrogating gendered representations in cinema during the 1975 Emergency.
Maria Skakuj-Puri (Independent scholar, IN): National games on regional scene: Punjabi language films and the trauma of 1984.
11:00 – 11:30 Coffee break
11:30 – 13:00 Panel sessions 5 and 6.
Panel 5 (Kovalevski Room): Travel and migration
Chris Berry (King’s College London, UK): Lost in China? Gender, Mobility and Social Transformation in the Contemporary Chinese Travel Film.
Mohamed Shafeeq Karinkurayil (Manipal University, IN): A Place Elsewhere: Reading the Migrant Melodramas from Kerala.
Bidisha Banerjee (The Education University of Hong Kong, HK): The Necessary Expulsion of the (M)Other: Immigrant Matricide and Abjection in Ann Hui’s Film Night and Fog.
Panel 6 (Binderis Room): Gender and cinema
Françoise Robin (National Institute of Oriental Languages and Civilisations, FR): “Long in hair, short in thoughts”? A tentative interpretation of Tibetan women’s silence in Pema Tseden’s films.
Yijun Li (Free University of Brussels, BE): Ethnic Minority Women in Chinese Cinemas: Sexuality, Ethnicity and Nationality.
Zebunnisa Hamid (SOAS, UK): Changing Gender Roles in Pakistani Cinema.
13:00 – 14:30 Lunch
14:30 – 16:00 Panel sessions 7 and 8
Panel 7 (Binderis Room): Fandom and screen practices
Ahmet Gurata (Bilkent University, TR): Database and Comparative History of Cinema .
Miyuki Hashimoto (University of Vienna, AT): Gender and Identity of Austrian Otaku.
Solène Gayathri de Brébisson (Univ. Grenoble Alpes, FR): Is there a National Indian Cinema? A Comparative Study between Hindi and Tamil Cinemas.
Panel 8 (Kovalevski Room): Horror and terror
Lindsay Nelson (Meiji University, JP): Unlikely Heroes: Redefining Nation and Masculinity in Contemporary Japanese Zombie Films.
Seán Hudson (Kyushu University, JP): The Politics of Horror: ‘Transpacific Complicity’ and the J-Horror Movement.
Yang Insil (Iwate University, JP): Hybridity of Colonial Korea in Cinema – The Representation of the Colonial Korea, Gender, Spy.
16:00 Coffee break
17:00 – 20:00 (Užupis Art Incubator, Uzupio str. 2)
Valentina Vitali (University of East London, UK): Hindu chauvinism and the inscription of gender in the documentaries of Anand Patwardhan.
Screening of War and Peace (dir. Anand Patwardhan, 2002).
Saturday, 9th September 2017
09:00 – 10:30 Panel sessions 9 and 10
Panel 9 (Kovalevski Room): Ghosts and haunting
Deimantas Valančiūnas (Vilnius University, LT): Haunting history: Bombay gothic in the 1960s.
Runa Chakraborty (Ambedkar University, IN): The ‘Dangerous’ Dayen: Bollywood’s Witch Films and the Politics of Gender.
Šarūnas Paunksnis (Kaunas University of Technology, LT): Post-urban Horrors, Spatial Anxiety, and Dead Women in Darr @ The Mall and Phobia.
Panel 10 (Binderis Room): Gender, power and nation
Audrius Beinorius (Vinius University, LT): “The Trail of God”: Religion, Secularism and Nation in Oh My God!
Agnis Belte (SOAS, UK): Moulding Masculinities: Representations of the Chinese Nationalist Government’s Masculine Ideals in Republican China’s Cinema.
Eija Niskanen (University of Helsinki, FIN): Shock Wave and gendered heroism in Hong Kong action.
10:30 – 11:00 Coffee break
11:00 – 12:00 Round table discussion
12:00 – 16:00 Tour to the medieval castle in Trakai with lunch (optional).